Panasonic gh5 lut9/15/2023 The rightmost column indicates the level at which the noise starts to become a problem at each ISO. This is a reference card with this info plotted in table form. Blue/purple means almost clipped, too much noise, little detail, these will not stand much pushing.It's for the deep shadows, or darker colors. in the blue zones you start to loose texture and detail.dark cyan indicates deeper shadow, but still with lots of texture and detail. Below the Middle Gray you have a green zone, that's for the soft shaded areas, 1 stop below lit skin.Red marks the white clipping so it's reserved for strong practical lights, or the sun, or anything you know will be irrevocably clipped.On yellow and orange you should have only specular highlights, strong reflections, or some dimmed practical lights.The reflective white, or White 90% is mapped to 61 IRE (that means a well lit white paper or a white wall in direct light).The skin tones (lit parts) go from 42 to 55.The Middle Gray (18% Gray, or Zone V) is mapped to 42 IRE, in a dark grey.The Vlog-L maps all colors between 7.3 and 80 IRE, so the color mapping respects that.I don't know if it behaves properly in other VLog-L cameras or with the full VLog ones (like varicam). It's specifically designed and tested in a GH5 with Vlog-L.I tweaked it a lot, and now that I'm happy with the result I share it with the community so other VLog-L users can benefit from it. So I made one tailored to my specific needs. I found that other false color profiles available for the GH5 a little confusing, with muted colors or unclear boundaries between colors. This is a false color LUT to be used in Panasonic Lumix cameras with Vlog-L color profiles, tweaked using a GH5. Darker areas are usually mapped to colder colors, and bright areas are mapped to hot colors. I haven't tested it but I'm pretty sure that the dynamic range of Vlog and HLG is exactly the same.VLogLFalseColor False color profiles to use in VLog-L cameras like the Lumix GH5.įalse color is a technique used in many video cameras to get accurate information about the exposure of each part of the frame, and the lighting ratios between them.The brightness of each pixel is map to a different color, so you can guess instantly the level of each pixel. you could compress the entire dynamic range to 8 bits if you wanted (not that it would grade nicely later). It is indeed 10bit but this is to store colour information in the file and has nothing to do with the dynamic range. It is useful to buy the vlog key to unlock the waveform monitor so you can use incident metering however the screen is tiny In practical terms the 150mbps codec of the G9 doesn’t have enough steam to really give vlog a significant edgeĬinelikeD on the other hand does not require luts and looks decent albeit warm out of the box and does manage pretty well highlights VLOG is different as it has the same middle grey and compresses the whole range so it gives you different results still requiring a LUT but at least you can monitor with a standard screen You would see some differences in the highlights if you kept it as HLG but if you conform it at the end is just a headache is harder to monitor and edit and ultimately not worth it It doesn’t capture any greater dynamic range because the camera readout in video is 10 bits not 12 and once you apply a LUT you compress it into a space that is limited to less than 10 stops anyway If you do not have Vlog then HLG is the next best thing you can use on your camera. Plus it looks much better in the viewfinder than cineLikeD. You can use a much better h265 codec to have smaller files and it is future proof for one day when we all have HDR TVs. It gives you a much wider colour gamut that allows more freedom in grading. HLG captures a greater dynamic range and grades easily and beautifully (it is 10 bit!). I don't fully understand why anyone would recommend using cineLikeD over HLG.
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